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This is American Idol – the hit FOX musical reality series following three judges, Simon Cowell, Randy Jackson (II), Paula Abdul,and as of season 8,Kara DioGuardi, along with host Ryan Seacrest around the United States in search of the next American Idol, a pop star that truly shines above all the rest. With help from the viewers, they will decide from thousands of participants who will walk away with a record deal and the fame and fortune that is sure to come along with it.
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Only eight women remain on “American Idol“, meaning this week’s performance will be the determining factor who would advance to the Top 12 where the competition will no longer between the same sex. The Tuesday, March 9 performance kicked off rather weird with Ellen DeGeneres sitting on Simon Cowell’s lap, whispering something to his ear.

Katie Stevens sang Kelly Clarkson’s “Breakaway” and did not get the good vibe from the judges. Comparing it to the original, Randy Jackson said it just didn’t work for him. Ellen was not sure Katie felt the song, while Kara DioGuardi complimented her “radio voice” and added Katie is still clueless about what kind of artist she wants to be. Simon echoed this, saying “You kind of sucked. …The energy out of it and made it kind of gloomy.”
Siobhan Magnus sang The Animals’ “House of the Rising Sun”. Randy liked the fact that Siobhan surprised them every week because it showed that she’s taking the risk. Ellen admitted she was captivated by Siobhan and that she was the reason she loved music. Kara praised her uniqueness and loved the a capella bit in the beginning. Simon however said, “I was under impressed, there were no moments in that.”
Lacey Brown who was under pressure after having two bad weeks, sang Brandi Carlisle’s “The Story”. Randy called it “a little sleepy” but was her best performance so far. Ellen said it was the right song for her. Kara agreed, saying “This is the kind of record you need to be doing.” Simon put it off, “I didn’t love the song, but it was like listening to something on the radio.”
Katelyn Epperly picked Carole King’s “I Feel the Earth Move” and sang it with keyboard. Randy did not feel a connection between Katelyn and the song. Ellen praised her look but said it was not a good performance. Kara emphasized on how it was not enough for the competition. Meanwhile, Simon said, “Let me start with a positive, I like your hair. On the downside, it was kind of like request night on a Friday night at a restaurant.”
Next, Didi Benami sang Stevie Nicks’ “Rhiannon”. Randy gave it a nod, saying it was far better than last week’s although there was no wow moment. Ellen said Didi revived from last week’s torn and did a good job this time. Kara even called it one of her favorite moments this season and Simon agreed with her, adding the whole performance had the wow moment.
Paige Miles took on Charlie Chaplin’s “Smile”. Randy regretted the fact that this is his favorite song of all time but Paige’s version just didn’t sound right. Ellen said the song was supposed to be uplifting but Paige brought it down to be a sad song. Kara and Simon thought it was simply “wrong”. Simon elaborated that it was like something “you’d hear at a Holiday Inn in 1974.”
Judges’ favorite Crystal Bowersox went with an electric guitar on Tracy Chapman’s “Give Me One Reason”. Randy repeatedly said that he loved it. Ellen ran out of adjectives and said she can’t keep saying Crystal is amazing. Kara could see what kind of record Crystal would make because she has figured out herself. “You will 1 million billion percent be in the Top 12 next week. Right now you are the one to beat, this is yours to lose,” Simon concluded.
Lilly Scott was tapped to close the show with Patsy Cline’s “I Fall to Pieces”. Randy said Lilly was “in the zone” and that it was a hot performance. Ellen and Kara loved it with the latter saying Lilly made Patsy feel current. On the other hand, Simon said Lilly doesn’t have the wow factor to close a show.

Following a rendition of Creed’s “With Arms Wide Open,” Michelle Delamor was booted off American Idol this week.
It was the one elimination we thought the public got wrong. In an interview with Entertainment Weekly, the singer talked about
her experience on the show. Excerpts are below…
Was she surprised? I thought I was going to go further in the competition and I thought I had a lot more to offer that what I showed on Wednesday night’s performance. I was hoping I’d go further because I knew I had so much more to give. I didn’t feel like I fully ever got to show America or the rest of the world what I had to offer. I thought the journey would go a little longer, but it’s all good.
What other song would she have chosen, given the chance? I would’ve done “Come Together” by The Beatles, Michael Jackson-style. I love that song. It has so much intensity. My idol covered it. I love the way Michael Jackson did it.
What was the highlight of the experience? Working with Dorian [Holley] was the ultimate high. At dress rehearsals, the coaches are right next to you, helping you every step of the way. Dorian used to do that with Michael Jackson and just to see that he was standing right next to me helping me, it was like “Wow! Oh my God!”
The 10 women left standing on “American Idol” this season took the stage on Wednesday, March 3 after earning an extra day when one of them had a health scare. Crystal Bowersox is out of the hospital and was first to perform. She sang Creedence Clearwater Revival’s “Long as I Can See the Light” and Randy Jackson praised her genuineness, saying “I love that girl”.
Ellen DeGeneres added Crystal has a pure, raw and natural talent while Kara DioGuardi pleaded for her to stay healthy and be in the show. Simon Cowell respected her for not playing the sympathy card, saying “I completely underestimated you last week, because for you to come back this week with that song, that performance …I promise you, this was like the moment we realized with Kelly Clarkson that we’ve got a serious artist here. And I think we’ve got a really serious artist with you.”
Haeley Vaughn was next, singing Miley Cyrus’ “The Climb”. She unfortunately did not improve from last week with Randy rating the performance “excruciating”. Ellen said Haley did not connect with the song, but she shouldn’t stop smiling. Kara thought Haley is just not ready yet, reminding her that a lot of people are rooting for her. Simon said his favorite phrase, “utter mess”.
Lacey Brown whose performance was also butchered last week took in Kara’s suggestion to sing a Sixpence None The Richer, “Kiss Me”. Randy still did not feel it, branding it a karaoke. Ellen noticed no difference to the original song but it indeed sounded like the right song for her. Kara approved the song but said Lacey has to push it further. Simon noted she was marginally better but there is still a “massive, massive” difference between her and Crystal.
Singing Corinne Bailey Rae’s “Put Your Records On”, Katie Stevens got mixed reviews. While Randy said there was definitely some bright moments, Ellen said she wanted Katie to present something that she wouldn’t hear at her dentist’s office. Kara is “frustrated” because Katie needs to work on the melody. “I’m still waiting for that moment from you,” Kara said. Simon advised her to get some experience and then tell them what kind of artist she wants to be.
Didi Benami sang Bill Withers’ “Lean on Me”. Instead of showing what she can do, the performance according to Randy showed what she can’t do. “I would not have chosen a soul song, that deep-rooted soul, for you,” Randy said. Ellen kept it short by praising her voice and presence. Kara said, “Didi, it wasn’t good,” adding Didi missed her consistency. Simon thought it was screechy, a bad song choice and a waste of opportunity. She held back tears when Ryan Seacrest talked to her afterwards.
Michelle Delamor took the risk by singing Creed’s “With Arms Wide Open”. Randy thought it was not good enough, saying “It fell flat to me”. Ellen agreed with Randy that she didn’t put a lot into the song and forgot that it was a rock song. Kara and Simon on the other hand applauded her for trying. “My favorite performance of yours, ever,” Kara said. Simon added, “You took the point, which was you didn’t choose a safe song, you attempted to make it your version.”
Lilly Scott picked “A Change Is Going to Come” by Sam Cooke. Randy liked it and said it was his favorite performance of her. Ellen talked about Lilly having “it” while Kara called it a “moment” for her. Simon said it was good but he was not crazy about it.
Katelyn Epperly sang “The Scientists” by Coldplay with piano. Randy liked the fact that she was not over the top with it. Ellen admitted that she was almost asleep because it was so slow. Katelyn won Kara over. “You’re really good. You’re seriously good,” Kara gushed. Simon compared hers to Natasha Bedingfield’s version and warned her not to be too corny.
Paige Miles chose Kelly Clarkson’s “Walk Away”. Noting that it was co-written by Kara, Randy said the song could not emphasize her voice. Ellen said, “I loved it. I thought it was fantastic. …This is your moment to have fun, and you did.” Kara told Paige the song is actually “angry” so she shouldn’t smile too much when singing it. Simon said Paige failed for two weeks in a row to pick the right song for her.
The last act of the night was Siobhan Magnus who performed “Think” by Aretha Franklin. Both Randy and Ellen loved it, saying it was a big song she picked but she nailed it. “I can’t get over that note,” Kara said. Simon thought it was memorable, interesting and unique but added, “Once again, you’re such a strange person.”
Ok, a little change-up to start the show off. The ladies were scheduled to perform tonight, but Crystal Bowersox was taken to the hospital this morning (no word on what the deal is), so the top ten guys will be performing. I hope Crystal’s doing alright, and that she’ll be back on track to sing tomorrow night.
This spurs Ellen DeGeneres to reminisce about the time her back went out and she did her show from a bed. Ryan Seacrest remembers that, and says he actually was in the bed with her at one point. That’s just interesting all the way around.
So far, both the guys and girls have been lackluster in my book, but Simon Cowell thinks the girls have the edge. Either way, the two guys and two girls with the lowest number of votes will be out on Thursday night. So vote for your favorites! Let’s move on and see if the guys kick it up a notch tonight. Let’s hope so.
Michael Lynche (’It’s a Man’s Man’s Man’s World,’ James Brown). So far so good! Michael looks great dressed in black — not the emo kind of black, but the classic singer kind of black. You can tell he decided to “bring it” tonight, and he does just that with this great song choice. Randy Jackson says the season is finally getting rolling. He says Michael has the fire in his eyes, and he even gives him a standing ovation to prove it. Ellen loves it and says he’s the one to beat. Kara DioGuardi says he went from being a singer to someone who could potentially be a great artist. “You owned it tonight,” she said. “You are a different Mike, and I’m feelin’ it.” Simon Cowell says he went from being a pussy cat to a lion in one week, and even though it’s an old song, it didn’t sound dated when Michael sang it. Michael notes that his wife is coming out with the new baby on Friday — if he’s still there. I don’t think he has to worry.
John Park (’Gravity,’ John Mayer). John’s acapella group back home is called ‘Purple Haze.’ That’s awesome. I like his white t-shirt and jeans; he’s not trying to be something he’s not, and says he’s working on being “honest.” I also like the performance, but I’m not sure it’s going to stand out from the pack. As Randy says, “You didn’t bring anything new or spicy to it.” Ellen loves the song choice, but says there could have been a little more soul in it.” Kara says he needs to let loose, get out of his comfort zone, and “take some risks.” Simon thinks ‘Purple Haze’ might get their lead singer back after this performance, because it just wasn’t very memorable or “authentic.”
Casey James (’I Don’t Wanna Be,’ Gavin DeGraw). In an interview with Ryan, Casey says he grew up without a TV, ever since lightning hit the family TV when he was about seven. Probably not a bad thing. Oh, and he’s not giving away his pre-show secrets because it’s a competition, dude. He’s awesomely jamming on the electric guitar, but let’s not forget that it’s a singing competition. This song has been done by a lot of ‘Idol’ guys, but it’s a great fit for Casey’s voice. Love his look, love his voice, but he could have ripped it just a little harder. Randy says it’s not the best version of this song, but it’s definitely Casey’s niche. Ellen says he sounded great, but she’d like to see more movement and freedom. Kara thinks he took two steps backwards, and that he didn’t take the song to another level. Simon feels that Casy is just “trying to be a rock star,” but doesn’t have the grit to do this song well.
Alex Lambert (’Everybody Knows,’ John Legend). Alex says he usually gets super nervous, but managed to not throw up before tonight’s performance. Awesome, dude. He wants to “love being on stage instead of being terrified of being on stage.” Hey, we’re pulling for ya! He has his guitar, which is probably good because it gives him something to focus on rather than the nerves. Randy says it’s a great improvement over last week, and that Alex found his own voice. Ellen says it’s like “someone took the unripe banana and put it in a paper bag…” What is it with her and bananas? Anyway, she thinks he’s way more confident this week, and out of everybody, he has the most unique style. Kara says everyone is rooting for him, and Simon says it’s “a million times better than last week.” But Simon also wants him to get a killer instinct to win, and no more talk about nerves! He said it in a nice way, which is cool.
Todrick Hall (’What’s Love Got To Do With It?,’ Tina Turner). Todrick’s pre-show routine includes doing push-ups, and he talks about being a singer AND a dancer — one of the criticisms from last week. It’s an interesting song choice, and I love that he’s slowed it down and made it his own. He’s got a little Smokey Robinson in his voice, and he looks like he’s having a blast on stage. The audience loves him, too. Randy loves the falsetto run at the end of the song, but reminds him that a great song doesn’t need a wild arrangement. But wait — aren’t the judges always saying to change things up? Ellen says he should both sing and dance, although she wasn’t crazy about the song either. Kara loved his movement on stage, and says she’s been missing Todrick’s unique spin on stuff, “and not crazy all over the place.’ Simon says “this is not working out at all for you.” Oy, it wasn’t that bad, Simon!
Jermaine Sellers (’What’s Goin’ On,’ Marvin Gaye). Todrick rocks his onesy, guys, and he’s not ashamed of it. That’s because his dad turns the heat down in the house at night. Interesting fro-hawk he’s got going on stage. I like the song, but feel like it didn’t really get going until the end. Randy thinks it’s better than last week, but still wasn’t great. Ellen loves both his style and the fact that he rocks the onesy, but the song just didn’t work for her. Kara says he’s hitting some crazy notes and runs, but thinks he should pull it back and look at the meaning of the song. “It just feels forced, like you’re trying to show us every trick in every performance.” Simon says he waters down the songs by playing around with them too much. Jermaine invites them to go to church, and Simon says ok! I’d love to see a new docu-series called ‘Simon and Jermaine Go to Sunday School’ (Ryan’s creation, not mine). Jermaine asks for song suggestions, and Ellen recommends a Frankie Beverly and Maze tune. We’ll see what Jermaine does with that tidbit — if he’s still here next week.
Andrew Garcia (’You Give Me Something,’ James Morrison). I’m not crazy about this song choice. It’s a little pitchy and choppy and doesn’t seem to fit his voice all that well. Randy agrees with me and says Andrew is better than that. He’d like to see him with a guitar and more of a Jason Mraz vibe. Ellen likes the vibe, but says there were a few pitch problems. She notes that he set the bar high with the Paula Abdul song, so everyone will always be looking for that. Ellen is also thinking about getting his name tattoo’d on her neck. Kara agrees about the Abdul song. “You’re a rhythmic singer; you’ve gotta stay on the rhythm … you played it too safe. I like when you surprise us.” Simon says he’s disappointed and thinks Andrew is better than that.
Aaron Kelly (’My Girl,’ The Temptations). It’s hard to believe this kid is only 16. I mean, he might not have the best vocals out of all the guys, but he’s fun and seems to really love being onstage. Randy loves the first half of the song, but not so much on the second half. Still, way better than last week. Ellen loves how he used the stage, but thinks the song was forgettable. Kara really likes it and says he’s consistent, which she appreciates. Simon didn’t like the song and says it was all over the place. He thinks the arrangement was too old-fashioned. “You’ve gotta work out your age and what kind of artist you want to be.”
Tim Urban (’Come On, Get Higher,’ Matt Nathanson). Tim has a huge family — four brothers and five sisters. He’s usually really nervous before a show, and always says a little prayer to calm his nerves. They show a clip of Simon’s critiques from last week, and Tim says he’ll be better. But oy, guys. He’s just not that great. In fact, it’s a mess, and I fear for what Simon’s going to say. Randy calls it “karaoke,” and Ellen agrees. She asks if he can act, and says he should be on “Glee,” because he’s adorable and girls love him. “I don’t think the strong point is the singing,” says Ellen. Kara likes the song choice, but says he didn’t make it his own. And whoa! Simon calls it a “marked improvement from last week,” and says Tim is more relevant tonight than some of the other singers. “I’m impressed not just with your performance, but your work ethic,” says Simon. “You didn’t whine, and you got on with it.” I’m shocked, shocked! And Tim looks completely shocked, too, which is both fun and awesome.
Lee Dewyze (’Lips of an Angel,’ Hinder). Dark horse here. Or maybe just a flat-out front runner. Did the other singers have cool stars and fun back-drops? If so, I didn’t notice. Anyway, I love this song and his voice, although parts of it are pitchy. He tugs his pants up during the performance, which is sort of third-gradish and weird, but also a little endearing. Randy likes that he’s taking chances and coming out of his comfort zone, even though there were some pitch problems. Ellen agrees, saying she loves his passion and intensity. Kara says it’s a big improvement from last week, and she can “hear” him on the radio right now. Simon says he’s “head and shoulders above everyone else in the competition,” but that he looks terrified. “I’m just waiting for you to totally connect, lose your nerves, sing the right song, and sing as good as you can,” says Simon. “You may be the one to beat.” Lee tells Ryan he actually has a belt on this week; still, the judges say he needs to work on his body language, which I agree with.
I can imagine your reactions after the American Idol episodes last week: “what the heck just happened?”

Sure, it’s their first live show, but unlike last year, when some of the frontrunners went to the stage and made us go “wow”, this year’s was a little more… should I say disastrous? There were some good performances but they weren’t as memorable as past semifinalists. There were some really bad performances, running the gamut from overdoing a song to, well, overdoing a song. And there were the really unforgivable eliminations, giving more credence to the believe that this season is incredibly screwed up.
Or is it? After Ashley Rodriguez, Janell Wheeler, Joe Munoz and Tyler Grady’s eliminations, we have twenty contestants left fighting one more week–and my expectations couldn’t be higher, at least for some of them. I’m a believer in the slow burn (case in point: Kris Allen) and I think some of this year’s performers are just taking longer than expected to grab us by the neck. Sure, some of you believe this is the worst Top 24 ever, but some of us think there’s some untapped potential in there. We’ll all just have to wait.
The set-up this week is the same as last week’s: the girls perform tonight, the guys perform tomorrow night, and four get the boot on Thursday night. Last week, the girls weren’t spectacular, but at least they’re better than most of the guys, and I expect that trend to follow this week. As for my must-watches: just four of them.
Siobhan Magnus. First of all, thank you for not performing “It’s Raining Men” last week. I am still searching for a reason to root for her, but after last week’s surprisingly strong take on “Wicked Game”, it seems that search won’t take longer. Barring she wouldn’t make a bad song choice, I expect her to take things one step further tonight, and maybe establish herself as a frontrunner in the ladies’ race–or, at the very least, finally know what being a dark horse means.
Crystal Bowersox. Am I the only one who didn’t feel all that amazed by Crystal’s performance last week? Yes, she’s still an amazing performer, but she’s still playing it a little safe. She still has a lot of elbow room tonight, and it wouldn’t hurt her if she takes at least one step out of her comfort zone tonight. She was very safe last week, so there’s no need for her to worry this week.
Paige Miles. We finally got a taste of how good she is last week, but compared against the other female contestant with virtually zero exposure, Michelle Delamor, Paige floundered a little bit. She’s still in danger of elimination this week, so she’s got to churn a very good (and very memorable) performance if she’s to get closer to the Top 12.
Lacey Brown. Now here’s an interesting case. Lacey’s performance last week was a stinker, just when it shouldn’t be. That’s not a good lasting impression for the viewers, but it’s obvious they gave her one more chance. She better not blow it. Lilly Scott’s taken the front seat when it comes to taking a song and giving it her own distinct spin: Lacey’s also known for the same thing, and she has to stick to that strategy if she’s to survive another week. I can still hear her take on “Somewhere Over The Rainbow” during the auditions in my head. Can you be closer to that, dear?
All in all, tonight’s show should be better than tomorrow night’s show. That, of course, is another watchlist altogether…
Some shocking turns came up on “American Idol” result show. While Tim Urban and Haley Vaughn who did bad on the performance night get to stay in the competition, judges’ favorites Joe Munoz and Ashley Rodriguez went home.

Two from the girls and another two from the guys were eliminated from the Top 24 based on the audience vote which clocked in at 24 million on Wednesday, February 24 night. Joining Ashley and Joe as the outcast are Janelle Wheeler and Tyler Grady.
Ashley was the first to be announced to leave the show, being pitted against Didi Benami. She reprised her rendition of “Happy” which Simon Cowell thought was “clumsy” during her performance night. Joe was next, put in the bottom two of the guys with Tim. He also took the stage for the last time singing “You and I Both”. Joe’s exit is somehow an irony since Kara DioGuardi said in terms of singing, Joe was “the best”.
Janell was in the bottom two with Katie Stevens. She sang Heart’s “What About Love” in the performance night which Kara thought was way too big for her voice. Meanwhile, Tyler was the last one sent home, saving Alex Lambert from elimination. He was kind of complaining how he did not get constructive criticism while in the Hollywood week and last night’s came too late.
The result show was opened by a group sing of “American Boy”. Last season’s contestant Allison Iraheta debuted her new song “Scars” while season 8’s winner Kris Allen came to both perform and talk about Idol Gives Back’s efforts in Haiti. Next week, the Top 20 will continue their journey, no longer separated by their gender.
Finally! We get the live show and our first chance to vote. How has everyone changed since Hollywood week? Are they already jaded Hollywood types? Can they sing in front of a television audience of nearly 30 million people? These are all things we’ll find out tonight during the real beginning of ‘American Idol.’
Other things we find out? This season’s contestants really like The Beatles, and I may or may not be completely drunk right now, as my critiques match up with the judges way less than they usually do. So let’s continue to see who your opinions match up with!
I always feel so badly for the contestants when they have to mug for the camera as they come on the stage. They invariably look completely stupid, and it’s certainly not their fault.
However, this is quickly forgotten when we see the fantastic sexual harassment video that Ellen is using to explain why she’s sitting on the opposite end of the table from Simon. He really just needs to understand that no means no!














‘American Idol’ Eliminates Haeley Vaughn and Three More
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For giving bad performances two weeks in a row, Haeley Vaughn, Jermaine Sellers, John Park and Michelle Delamor have all been sent home. “American Idol” viewers voted that these four should not advance to the next round. The ninth season is now wilted down to eight guys and eight girls.
The departure of Haeley, Jermaine and John were somehow expected since they received nasty comments from the judges this week. But Michelle actually got praises from Kara DioGuardi and Simon Cowell. Kara called Michelle’s rendition of Creed’s “With Arms Wide Open” her favorite performance while Simon applauded her effort of not choosing a safe song.
Dodging the bullet and given another shot at the competition are thus Tim Urban and Didi Benami. The former has been criticized for not being good enough yet garnered votes for his looks. The latter was on the verge of tears when hearing the judges’ comments on this week’s performance.
Before Ryan Seacrest announced the names who departed this week, the Top 20 teamed up for a lip-synch of Black Eyed Peas’ “I Gotta Feeling”. Next week, the girls will perform on Tuesday, followed by the guys the day after.